By lkaptain
Presentation of Video Continuity Using 3D Floating Technique for STEAM Education
Presentation of Video Continuity Using 3D Floating Technique for STEAM Education
Namje Park
Dept. of Computer Education, Teachers College, Jeju National University, 61 Iljudong-ro, Jeju-si, 690-781, Korea
namjepark@jejunu.ac.kr
Why curiosity will rule the modern world
Why curiosity will rule the modern world
Ian Leslie is the author of Curious: The Desire to Know and Why Your Future Depends on It (Quercus, £10.99)

If there is one idea we need to be rid of it’s “natural curiosity”. Photo: Rich Grundy on Flickr via Creative Commons
New work by Liz Lerman

In the foreground, Keith A. Thompson and Paul Hurley, an amputee veteran, dance in “Healing Wars,” choreographed by Liz Lerman at Arena Stage in Washington. Credit Matt Roth for The New York Times
Recollections of Warriors, Redeployed Into Dance
Liz Lerman’s ‘Healing Wars’ at Arena Stage in Washington
How People Get Ahead (It’s Not How You Think)
How People Get Ahead (It’s Not How You Think)
by Annie Murphy Paul, Time Magazine contributor, Random House author and New America Foundation fellow/annie@anniemurphypaul.com
If Culture Isn’t Quantified, Does it Exist? And, Tech News
If Culture Isn’t Quantified, Does it Exist? And, Tech News
CULTURE and economics are connected, of course, in all kinds of ways, some simple, some complex. I often muse on the question of how rising income inequality relates to the arts, specifically the art market. A new story gets at some of it, using Capital in the Twenty-First Century, French economist Thomas Piketty’s bestseller, as its lens.
Visual Art and Piketty’s “Capital,” and David Mitchell
Visual Art and Piketty’s “Capital,” and David Mitchell
CULTURE and economics are connected, of course, in all kinds of ways, some simple, some complex. I often muse on the question of how rising income inequality relates to the arts, specifically the art market. A new story gets at some of it, using Capital in the Twenty-First Century, French economist Thomas Piketty’s bestseller, as its lens.